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Regatta - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Les Dahlias - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Les Dahlias - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Factories at Argenteuil - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Raboteurs de Parquet - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

River Bank Walk - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Landscape - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Laundry Drying - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Oarsmen - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Rue de Paris - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 20 inches

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Perissoires - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

River Bank - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Garden - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Self portrait - Caillebotte

Oil Painting on Canvas

Gustave Caillebotte

24 x 36 inches (60 x 90 cms)

Gustave Caillebotte, born on August 19th, 1848, was a
French painter and a generous patron of the impressionists,
whose own works, until recently, were neglected.By
profession he was an engineer, but also attended the Ecole
des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in
1874 and helped organize the first impressionist exhibition in
Paris that same year. He participated in later shows and
painted some 500 works in a more realistic style than that of
his friends. Caillebotte's superb collection of impressionist
paintings was left to the French government on his death.
He died on 24th February 1894.

Natura Morta con Tenda - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Wine, Fruit Vessel - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Autumn in the Village - Chagall

Oil Painting on Canvas
Marc Chagall
24 x 36 inches

Chagall was born July 7, 1887, in Vitsyebsk, Russia
Chagall's distinctive use of colour and form is derived partly from
Russian expressionism and was influenced decisively by French cubism.
His numerous works represent characteristically vivid recollections of
Russian-Jewish village scenes, and incidents in his private life.
His works combine recollection with folklore and fantasy.

Negress with Peonies - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Negress with Peonies - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Bazille's Studio

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Summer Scene - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Toilet - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Village of Castelnau le lez - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Portrait of Edmund Maitre - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

The Improvised Field Hospitals - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

The studio Rue de Furstenberg - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Fortune Teller - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

The Heron - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Self Portrait 1865 - Bazille

Oil Painting on Canvas

Frederick Bazille

24 x 36 inches (60 x 90 cms)

Born 1841. French painter, one of the early Impressionist
group. As a student in Gleyre's studio in Paris (1862) he
befriended Monet, Renoir, and Sisley, with whom he painted
out of doors at Fontainebleau and in Normandy. He was,
however, primarily a figure painter rather than a landscapist,
his best-known work being the large Family Reunion.Bazille
was killed in action during the Franco-Prussian War in 1870,
cutting short a promising career. He came from a wealthy
family and had given generous financial support to Monet
and Renoir.

Botero 4 19

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 25

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 32

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 45

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 51

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 58

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 59

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Botero 4 82

20 x 24 Inches (50 x 60 cms)
Please email for prices on alternate sizes.

In 1948, he started work as an illustrator. In 1950, he went to Europe,
where he attended the Academy of San Fernando in Madrid. He went on
a long visit to Mexico in 1956-57 and the experience of Muralism
significantly influenced his future direction. In his own work, he
introduced inflated forms, puffing up to an exaggerated size human
figures, natural features, and objects of all kinds, celebrating the life
within them while mocking their role in the world. He combined the
regional with the universal, constantly referring to his native Colombia.

Farmhouse - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

The Gulf of Marseille - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Vessels, Basket and fruit - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Jugs with Galls and Plate - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Landscape - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Monte Sainte-Victoire - Cezanne

Oil Painting on Canvas
24 x 36 inches
Paul Cezanne

Born 19th January 1839, Aix-en-Provence, France.
One of the greatest of the Postimpressionists,
Cezanne has been called the father of modern painting,
whose works and ideas were influential in the aesthetic
development of many 20th century artists and art movements,
especially Cubism.

Scarface 1

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 2

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 2

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 3

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 3

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 4

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 5

Oil Painting on Canvas
Pop Art
20 x 24 inches

Scarface 5

Oil Painting on Canvas
Pop Art
20 x 24 inches

Vendedora de Alcatraces - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Vendedora de Alcatraces - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Vendedor de Flores - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Vendedor de Flores - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

The Flower Seller - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

The Flower Seller - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Naturaleza Muerta - Rivera

Oil Painting on Canvas
20 x 24 inches

Muchacha con Girasoles - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Muchacha con Girasoles - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

La Noche de los Pobres - Rivera

Oil Painting on Canvas
20 x 24 inches

Girl with Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Girl with Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

El Vendor De Alcatraces - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

El Vendor De Alcatraces - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Dos Ninos - Rivera

Oil Painting on Canvas
20 x 24 inches

White Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

White Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Nude Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Nude Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Young Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Young Lillies - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Going to Market - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Going to Market - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Siesta - Rivera

Oil Painting on Canvas
20 x 24 inches

Many Hands - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Many Hands - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Mother and Child - Rivera

Oil Painting on Canvas
20 x 24 inches

Helping Hand - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Helping Hand - Rivera

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Young Girls at the Water's Edge - Renoir

Oil Painting on Canvas
20 x 24 inches

Umbrellas - Renoir

Oil Painting on Canvas
20 x 24 inches

Tulips - Renoir

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Tulips - Renoir

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Spring Bouquet - Renoir

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Spring Bouquet - Renoir

Original Oil Painting on Canvas.
Flower Art.
100% Guaranteed and individually hand painted.
Not a print, digital photo, transfer or screen print.

24 X 20 inches.

Moulin de la Galette - Renoir

Oil Painting on Canvas
20 x 24 inches

Luncheon of the Boating Party - Renoir

Oil Painting on Canvas
20 x 24 inches

Grand Canal - Venice - Renoir

Oil Painting on Canvas
20 x 24 inches

Girl with Dog - Renoir

Oil Painting on Canvas
20 x 24 inches

By the Seashore - Renoir

Oil Painting on Canvas
20 X 24 INCHES

Bridge at Chatou - Renoir

Oil Painting on Canvas
20 x 24 inches

Boating on the Seine - Renoir

Oil Painting on Canvas
20 x 24 inches

At the Theatre - Renoir

Oil Painting on Canvas
20 x 24 inches

Many Flowers - Renoir

Oil Painting on Canvas
20 x 24 inches

Landscape - Renoir

Oil Painting on Canvas
20 x 24 inches

By the River - Renoir

Oil Painting on Canvas
20 x 24 inches

Still Life - Renoir

Oil Painting on Canvas
20 x 24 inches

Lonely Walk - Renoir

Oil Painting on Canvas
20 x 24 inches

Sleeping Nude Lady - Renoir

Oil Painting on Canvas
20 x 24 inches

At the Races - Renoir

Oil Painting on Canvas
20 x 24 inches

Abstract - Bull Fighter - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Bull Fighter - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Carnet - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Carnet - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Picador - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms) <

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Corrida - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Dora Maar - Picasso

Oil Painting on Canvas
Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Dora Maar - Picasso

Oil Painting on Canvas
Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Enamel Saucepan - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Enamel Saucepan - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Girl Before a Mirror - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Girl Before a Mirror - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Guernica - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Guernica - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Women Running on the Beach - Picasso

Oil Painting on Canvas
Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Violin and Guitar - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Violin and Guitar - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Woman with a Hat in Bloom - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Woman with a Hat in Bloom - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Jesters - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Modern Girl - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Modern Girl - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Jigsaw - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Young Couple - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Young Couple - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Little Devil - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Little Devil - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Split Personality - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Split Personality - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Flowers - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Flowers - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Seated Bather - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Seated Bather - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Blending - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the images that,
as a painter, he arrested in two dimensions. Through acts
of distortion and violence against his world, Picasso tried to
make sense of the clash between the inner and outer self.
Picasso could never pin down a specific way of representing
things, and consequently he laid the foundations for many of
the movements that drove Western culture through the 20th
century.

Abstract - Blending - Picasso

Oil Painting on Canvas

Pablo Picasso

24 x 36 inches (60 x 90 cms)

Life for Picasso was defined by art. Language, love, and
even politics burgeoned for him almost exclusively through
his visual associations; he saw everything first as a picture
to which all his emotions could later be traced. The frenetic
nature of his life forced him to break apart the imag

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